Rotating Back (to film)

Recently I had the chance to use a classic studio camera in a terrific studio. The Mamiya RB67 is a film camera that any commercial photographer who was working in the 70’s, 80’s or 90’s would know of. Along with the excellent lenses as in other Mamiya cameras the big advantage of this camera is the film back rotates to either landscape or portrait view — RB obviously is for Rotating Back.
This lets a photographer change quickly between views, without having to waste time moving the whole camera around either in hand or on a tripod. And it makes a difference practically, especially when photographing portraits.

I don’t like to get bogged down in gear talk, though — to me cameras are tools to make an image, not to fetishize/collect/pontificate over, and the image is what drives (or should drive) photography. In terms of the mechanics, these images were made to test out this camera, its lenses and how it works with in-studio lighting; I’m a big fan of photographing with film (when time allows) and for those who think like I do on that topic, these images were made with Ilford Photo’s wonderful (and underrated, in my opinion) Kentmere Pan 100 medium-format black-and-white film.

Photographer Andrew Sikorsky — find his work at: https://andrewsikorsky.com

Potter and artist Christina Sikorsky

Portrait of Samantha. This was an impromptu photo, but often times those can yield the best results - spontaneous reactions and unplanned efforts can help us avoid ‘getting in our own way’, creatively.

Artist Thor Aikenhead.

A Couple Photos

I always get a little nervous before even the simplest portrait shoots. Most times, it’s just my mind shifting gears and focusing on the work ahead - ejecting all the extraneous thoughts and daily blah blah blah and leaving (hopefully) only the person(s) and the photography.

But on a few rare occasions, the slight buzz comes from photographing another photographer. Is there a photographer that doesn’t find that at least a little intimidating? After all, they’re privy to what we think, how we work and they’re uniquely qualified to assess what we’ve done.

This was the case recently when I photographed Dwayne Larson and his fiancé April, in advance of their wedding (which they paid me the honour of photographing). Dwayne and I have worked in Winnipeg and known each other for years and although we’re different in style — he’s cool and I’m not, let’s not mince words — we both have devoted our lives to photography. What an honour to have him specifically choose me, and my style of working, to make images of this very particular moment in the life and he and his life partner.

Meeting up at the unsung gem Langside Grocery all my nerves were quickly put to rest. Here were two people who made others feel as comfortable as they clearly did in their own skin. Best of all for this photographer, here were two people who are so obviously at ease and great around each other. Great subjects, great location, great light — it was the kind of portrait session I always hope to have!

<<Technical Notes>> My remote trigger stopped working almost immediately upon arrival, so on the fly I was switched to ‘available light’ mode. Thankfully, the late afternoon sun was perfect in Langside Grocery (did I mention how fantastic that location is..?) and so the shoot went on. I used the magical (no other word for it) Canon EF 85mm f/1.2 on my 5D Mark IV, with a few EF 50mm f/1.2 images thrown in when the moment was right.

For more samples of how I photograph people, take a look at my People section on this website.

The front counter at the wonderful Langside Grocery, avec April and Dwayne.

He Ho! Let's go (Voyageur Bop)

I’m not a fan of winter - anything you can’t drive a motorcycle in just doesn’t seem like fun to me. But the one event that can sway me (other than aurora borealis) is western Canada’s biggest winter festival, the wonderful Festivalé du Voyageur.

I had the good luck to photograph this year’s festival for online news outlet ChrisD.ca — my first time at the event since 2020. Go figure, the past few years have been eventful…

My favourite way of working - just wandering, packing just a few lenses - seems to produce my favourite kinds of photographs: small decisive moments that showcase people and light. Did I mention the light? As a festival devoted to the fur trade period of c.1815, the historical re-enactments in Fort Gibraltar have period lighting, namely lantern or window. I absolutely love it.
And you will too. I highly recommend checking out the FDV in the week it has remaining! The website linked has a full schedule.

Louis Gagne twirls a carefully groomed moustache in his role as a French Canadian fur trader at Fort Gibraltar, circa 1815.

Historical re-enactors portraying soldiers hired by Lord Selkirk fire muskets during a demonstration at Whittier Park.

Dancers with the Spirit Sands Singers await the start of a powwow, helping expand the understanding of First Nations presence during the early 19th century fur trade in Manitoba.

Participants in the international snow sculpture contest help their creation take shape near the gates of Fort Gibraltar, in Winnipeg’s Whittier Park.

The currency of the early 1800’s in western Canada - furs, on display in one of the historical re-enactment displays at Festivalé du Voyageur.

Cold air and hot tea, at a display in Fort Gibraltar.

Volunteer blacksmiths work on actual iron items exactly like those needed in everyday life at Fort Gibraltar in 1815.

Winnipeg trio Sweet Alibi performs at the 2023 Festivalé du Voyageur, joining local artists providing sounds from EDM to fiddle and jig to rock.

John Kosse lights up the first night of the 2023 Festivalé du Voyageur. Kosse was one of a group of representatives from the St. Paul Minnesota winter festival attending Winnipeg’s event.

The JD Edwards Band opens the 2023 Festivalé du Voyageur.

Friends, fire, festivalé.

A perennial festival favourite is maple taffy - just add snow and roll.

Initially an accident with leaving my camera on a different setting, I really liked the impressionist effect this had, to give a mood or feeling to this timeless scene. The irony is if I deliberately set out to make a photo like this, I probably wouldn’t do as well as this one!

The Weekend (not affiliated with the music industry)

Assorted images from a quiet weekend that still, somehow, had a lot to photograph.

Onlookers view a light display painted across an Exchange District building Saturday night during the first instalment of the Lights On The Exchange public art event.

Light streams from the front of a heritage building east of Main Street, Saturday night during the Lights On The Exchange event.

A Chinese lion dance troupe weaves its way around a thick crowd of people Sunday morning during Chinese New Year celebrations at Kum Koon Gardens restaurant in Winnipeg.

A little girl greets a Chinese Lion Dance troupe with a huge grin during Year of the Rabbit celebrations Sunday morning.

A woman crosses a shaft of bright winter sunlight beneath a garland of hoarfrost on Provencher Boulevard in St. Boniface.

A woman cheers after tackling a whipped cream beverage at a birthday party in an Exchange District pub, Saturday night.

A Walk With A Camera

One of the most enduring types of photography that’s been part of my life has been street photography. I prefer to think of it as ‘everyday life photography’, but ‘street’ is the most commonly known term for it.
I sometimes (only half-jokingly) call it ‘the least possible lucrative form of photography’ but maybe that’s part of the appeal - it doesn’t have to be bent or altered to do anything but what I feel about what I see, as I see it.

For me, it’s just pure reaction, in the moment, without any preconception. It draws on everything that’s happened in the past, but is also completely in the present moment. Going for a walk is always a great way to relax, but combine it with the keen observation that happens when you have a camera, and now you’re a flaneur. Finally, at the risk of reading too much into a simple walk with a camera, it’s a way for me to build empathy and understanding of others — I do think it’s only by being face-to-face and interacting with others (and no, via a phone does NOT count) that can hope to start appreciating them.

It’s with this background that I offer up a collection of street/everyday life photos from my own neighbourhood, a small selection from years of walking with a camera close to home. Wolseley is one of many interesting areas of this city, and of all the things many people will say about it, one undeniable fact is it’s one of the most walkable and varied neighbourhoods of them all. In other words, perfect for any street photographer.

I would be remiss if I didn’t say here that one of my main influences in everyday life photography, living one’s life with a camera and finding a sense of place through photography is a well-known figure in photography in this city and this country, John Paskievich. From almost inventing multimedia back in 1982 with his landmark short film “Ted Baryluk’s Grocery” to his excellent photobooks “The North End” and “The North End Revisited”, John has been an inspiration to a lot of photographers. I highly recommend either of his photobooks, by University of Manitoba Press.

For the camera nerds, all images were taken with a Leica M6, 35mm Leitz lens and mainly Kodak TMax 400 film.

Fire and Art Light the Night

This year’s Nuit Blanche event in Winnipeg was a feast for the eyes and mind. And if you’re a person who uses a camera to bring eye and mind together, well…it was a must-see.
Weather in this part of the world is always hit or miss when one season changes to another, but the first such event since the start of the pandemic was blessed with perfect weather and although it’s totally unscientific and just my observation, easily the biggest crowds in many years. Maybe ever.

Following are a few images from just a few spots on a fantastic Saturday night, including a funky disco event by the Peg City Rollers and the lead image of Mateo Lopez who along with the Free Spirit Fire group really lit up the night. Fantastic!

Mateo Lopez spins a web of fire around himself during a performance with Free Spirit Fire group, during the 2022 Nuit Blanche Winnipeg event.

Genie, with the Peg City Rollers rollerskating group, wraps herself in light while spinning to the music during the group’s Nuit Blanche 2022 event.

A dancer with Free Spirit Fire performs for the crowds during Nuit Blanche 2022 in Winnipeg’s Exchange District.

‘Fire Cycle’ by local artist Jonathan S. Green was the epicentre of Nuit Blanche 2022, providing a central event for the entire festival that people could rally to.

A member of the Peg City Roller wheels around a makeshift disco arena during the group’s exhibit for Nuit Blanche 2022.

A spire to faith and commitment

In Buddhist cultures, a ‘stupa’ is a focus of meditation, a structure that houses sacred objects. They’re a fairly common sight in Asia — in western Canada, not so much.
That’s why it was so gratifying to photograph the dedication of such a place this spring, as the local Sri Lankan Buddhist community came together to unveil the spire topping their very own stupa here in Winnipeg.

The ceremony marked many years of work by the ‘sangha’ -the community of monks, nuns and lay people - at the Mahamnevnawa Buddhist Meditation Centre who organized and built the structure themselves. Having also photographed the ceremony last fall when monks placed sacred objects inside the stupa, it was great to see how far the work has come to arrive at this point.

The weeks and months ahead will see finishing touches put on the site, but the structure itself now stands as a beacon of Buddhist faith, and a place for both the Sri Lankan community and the wider interested population to come to contemplate and be inspired.

A Night at the Opera

For the past several years, I’ve been proud to contribute photography for Manitoba Opera. Apart from just loving beauty and beautiful things, I’ve really come to appreciate how opera is basically storytelling — just like photography, just like books or Hollywood movies or even Instagram reels. Having relatively free reign gives me access to the people who work so hard to bring the show together, as well as the (pretty amazing) singers who make these stories come alive.
Like most arts groups, the Opera has had to grapple with the Covid-19 situation but happily the first major effort in a long time came together last night with the Gala Concert.
You could feel how happy people were to be able to have a night out again, and see these performers again on the Centennial Concert Hall stage. And the Symphony clearly didn’t get out of practice, either, with beautiful music carrying the audience throughout the whole event.

I’d urge anyone to check out the Opera and take in their next show. It’s a total treat to dress up, be seated in the hall, have the lights dim and the music flow out into that huge space all around you. You’d be surprised how easy it is to ‘get’ the stories behind each opera, once you learn about the production (which the Opera makes very easy both online and in the programs at each show).

Lizzy Hoyt sings with the Winnipeg Symphony Orchestra, and conductor Tyrone Paterson, behind her during the Manitoba Opera Gala Concert, Saturday evening April 2, 2022 at the Centennial Concert Hall.

Mezzo-soprano Catherine Daniel beams at the audience for Manitoba Opera’s Gala Concert.

The Centennial Concert hall, home of Manitoba Opera and its Gala Concert. The evening began with the Ukrainian and Canadian national anthems.

All five singers, backed by principal conductor Tyrone Paterson, are applauded by the audience near the end of Manitoba Opera’s Gala Concert.

Soprano Lara Ciekiewicz (left) and mezzo-soprano Catherine Daniel are applauded after a duet in the Manitoba Opera Gala Concert.

Until the autumn….

Prayers

For the past several years, I’ve been pursuing a personal project on faith and rituals - producing images of the various things different peoples do to show their faith.
One of the first places I went to was St. Vladimir’s and Olga Ukrainian Catholic Cathedral in the city’s North End. I was warmly welcomed and the priest was encouraging and open to my project. It was an invaluable confidence builder and paved the way for any subsequent work I did.

It was this familiarity that I took into returning to the beautiful landmark cathedral this weekend, as prayers were given new urgency with the war continuing in the Ukrainian homeland. I wanted to continue my work documenting faith but also see the faith being offered to those suffering from the current conflict.

By coincidence, a rally for Ukraine at the provincial Legislature was also taking place later that day, a chance for prayers of a different sort at a different landmark building — a ritual of faith to strengthen a common bond.

For those wishing to help, St. Vladimir’s and Olga Cathedral is accepting donations for Ukrainian citizens suffering under war. And of course, the Canadian Red Cross is also a trustworthy, effective organization to help those in need.

Kosmii and Mykhaila Liuba offer silent prayers at St. Vladimir’s and Olga Ukrainian Catholic Cathedral during Sunday mass.

Angels symbolizing peace adorn the altar as a congregant lights candles at St. Vladimir’s and Olga Ukrainian Catholic Cathedral during Sunday mass.

A rally at the Manitoba Legislature Sunday afternoon drew members and supporters of the city’s Ukrainian community.

Casual Fridays

Winnipeg has always been known for a thriving music and arts scene, but it’s only very recently that we’ve been able to start returning to that again. The pandemic, and most people and businesses adhering to lockdowns and other measures to prevent the spread of it, had put a night out on ice for well over a year.

Happily, high vaccination rates and businesses having a credible process to screen at the door have created a bit of a springtime in late autumn for live music.

It was this that allowed me to photograph a live performance this weekend by the newest jazz group in the city, the Jazz Casuals. It was a terrific way to end off a very long week, and the fine offerings by the venue, Little Brown Jug, was also very welcome.

Walking into the venue, I was greeted by a terrific space but a terrific space in near-total darkness. Certainly great for ambience, but not so great for photography! It was then that I was reminded of the difference between photographers who know lighting and those that don’t. One gets useable pictures, the other walks away with excuses.

I spent a lot of years in newspapers, and had the mantra of ‘available light’ drummed into me for literally decades.
However, if you believe photography is about telling stories, I’m afraid you can’t tell very many when you’re literally in the dark.

We live in a pretty amazing time for technology in making photographs, and one of my favourite is the advantages in lighting now. I’ve been a very satisfied user of Godox flashes for a few years now, both for reliability and how quick and easy it is to use their lights. Having something quick, easy and reliable makes it so much easier to just focus on creativity and that’s certainly been the case for me, whether in a dark jazz club or a bright outdoor location.

Setting up 2 small lights unobtrusively allowed me to create a mood and a feeling that fit the story, and not interfere with the musicians working or the audience enjoying the show. And, I didn’t have to make excuses — win/win/win!

Follow the Jazz Casuals on Instagram for news of upcoming shows.

Walking The Path at the 'Heart of the Continent'

The final day of September this year marked the first National Day for Truth and Reconciliation, a new federal statutory holiday to honour children who died while attending residential schools in Canada, along with the survivors, families and communities still feeling the reverberations of that long-running system.

Here in Winnipeg, several events were held for citizens including a powwow, sacred fires and several rallies and marches.

I had the good fortune to photograph the main march, which began at the Canadian Museum for Human Rights and ended at St. John’s Park. From start to end, there was a positivity in the air (even given the many hard and solemn stories to be told) and a real sense of solidarity. There was no mistake about why all were there and who they were there for.
It was also an ideal chance to meet someone or talk to someone you might not normally get the opportunity to. And a simple conversation is a terrific way to learn more.

I’ve always found photography is my ideal way to learn and connect with the world. For this, I was fortunate to experience this first annual event with my cameras. I sense a real shift in public attitudes and awareness, and I feel safe in saying the country is changing permanently from this process.

On a related note: if you or someone you know see yourself in my images, please reach out — I’d be happy to share them with you as a way of saying thanks. I asked each person portrayed here if I could photograph them, but in the rush of the event I didn’t get any contact information, as I normally do in case someone wants a copy of my work for themselves.

People attending a march in the inaugural Truth and Reconciliation Day stream through Winnipeg’s iconic Portage and Main intersection, Thursday afternoon.

People gathered for a march in the first Truth and Reconciliation Day in Winnipeg leave the city’s Human Rights Museum to the city’s downtown. Some held pictures of relatives or loved ones who attended Indian residential schools.

Riley Brown, an Oji-Cree woman from Manitou Rapids First Nation, wears a shawl adorned with handprints of her classmates at Urban Circle Training Centre. She told CBC News she was dancing in the march for missing and murdered indigenous women and girls, residential school survivors and those who did not survive their time in the schools.

An elder smiles as she awaits the start of a march for this country’s inaugural Truth and Reconciliation Day, Thursday morning at the Canadian Museum for Human Rights.

Thousands of people gathered at the Forks in the centre of the city for the start of a march, as part of Canada’s national Truth and Reconciliation Day. An orange shirt is a symbol of the issue of residential school survivors.

‘Every Child Matters’ is a slogan that has grown out of the increasing national awareness of the issue of residential schools in Canada.

Thousands of people await the start of a march while taking part in national Truth and Reconciliation Day events in Winnipeg, Thursday morning. They almost universally wore orange, making a striking sight as they walked together through the city.

A group of drummers make their way along North Main Street among thousands of others, on their way to a powwow at St. John’s Park, one of the original parks in the city and long a gathering place for First Nations and European people.

A participant in Thursday’s rally spreads her spirit to people sitting in front of the Main Street Project in Winnipeg.

A woman watching a procession for the first Truth and Reconciliation Day raises her arms as thousands of people walk past on North Main Street.

North Main Street, first National Day of Truth and Reconciliation, Winnipeg Manitoba.

The grand entry to a powwow held in St. John’s Park makes its way past a capacity crowd gathered for festivities at the first National Day of Truth and Reconciliation in Winnipeg.

Young dancers join a long line of people of all kinds for the grand entry to a powwow held at the end of a march for Truth and Reconciliation Day in Winnipeg.

A Very Different Canada Day

Back when photographing for a daily newspaper, Canada Day was usually pretty straightforward: lots of Maple Leaf flags, maybe some citizenship ceremonies and one of the few chances to photograph a fireworks show.

This year, though, a long pandemic and record-setting heat-waves gave way to the horrific confirmation of something long whispered but never really faced up to in Canada — the deaths of hundreds, maybe thousands of children in church and government run residential schools for First Nations children.

It has completely overshadowed any thought of observing the day, and hopefully it can be more an occasion of thoughtful introspection.

I thought I would take this thought in mind as I went to see a few places for myself today. Not with any preconceived ideas but just to see for myself and leave my thoughts open, as they can only be from a good long walk.
I went to the Forks, a place where rivers have met for millennia and people have also met for almost as long. And I ended the day seeing for myself the provincial Legislature, where a statue of Queen Victoria was toppled by a crowd at the end of a march to mark the coming to light this year of what most First Nations have known for a long time.

Lawrence Cormiere pauses on his walk to Portage and Main in Winnipeg to take part in a rally about hundreds of graves found at sites of former residential schools. Cormiere said he too attended one of the schools as a youth.

A statue of Queen Victoria lies on the ground at the Manitoba Legislature, Thursday evening July 1, 2021.

Flags representing young children who suffered and perished at residential schools in Canada dot the front lawn of the Manitoba Legislature, Thursday evening July 1, 2021.

A man takes a selfie atop a statue of Queen Victoria in front of the Manitoba Legislature, Thursday evening July 1, 2021.

Blessings in the time of Covid

Several years ago, I started a personal project on rituals — acts of faith unique to a religion or faith community that have a tradition going back centuries or more. It was a rewarding idea and the more I worked on it, the more I was convinced it was a solid pursuit. And beyond that, it was something I got a lot of personal fulfillment out of - I was fortunate to witness moments I couldn’t have predicted or imagined and met a lot of new people.

And then Covid-19 happened.

Almost overnight, most faith centres closed in order to limit the spread of an airborne contagion (something a few people seem to have difficulty understanding) and my idea that slowly but surely began to gain momentum ended abruptly.

But as people begin to find their way through this uncertain time, some organizations figure out how to exercise their faith in ways to keep everyone as safe as possible. One example of this was the annual ritual in the Ukrainian Orthodox faith of the blessing of the Easter baskets, and how the faithful in the Ukrainian Orthodox Metropolitan Cathedral of Sts. Vladimir and Olga made it happen in 2021.

Taking advantage of a beautiful spring day, they held the service outdoors, kept everyone well distanced and had people cycle through quickly so as not to linger. It was a heartfelt display of faith, and a quietly dignified rebuke to those who’ve used religion as a ruse to ignore the reality of public health measures.

On a personal note, it felt good after over a year to be making photographs for this project again. It very likely will be a long time before this project can be picked up again in any substantive, consistent way. But for one beautiful spring day, new images were being made and the idea lived on.

Father Ihor Shved sprinkles holy water upon the Easter baskets brought by sisters Ruslana and Svetlana Kashyna, during a special Covid-compliant service of the ‘Blessing of the Baskets’, a highly of the Orthodox calendar.

Volunteers helped create a makeshift altar and worship area outside the North End cathedral, including the iconic Easter eggs so closely associated with Ukrainian culture.

Father Ihor Shved tests a webcam set up to bring the service to faithful in their homes. The web savvy is one adaptation many churches are making to the health measures needed to keep their communities healthy.

After the basket ceremony outside, attendees could make a brief visit to the altar to round out their Easter observances.

Goddesses, Dragons and Ancestors

This past month has seen a lot of different photography for me, from portraits to street to even wildlife (OK, pelicans), but I’m returning to the topic of Northern Lights because…well, because magic doesn’t happen very often.

And that’s the only way to describe looking up and seeing the sky dance with softly glowing colours, in the kind of soft comforting silence you can only get from true solitude.

The aurora borealis is a result of solar radiation interacting with the Earth’s upper atmosphere — think of what happens to a neon bulb when you run electricity through it — but standing beneath it, it’s hard to reduce it to just that. There are a lot of legends surrounding the Northern Lights — from goddesses ushering in a new day, to dragons battling for good and evil and (most poetically, to me) the First Nations of North America seeing them as echoes of departed people moving and speaking to them in the infinity of the sky.

My latest aurora encounter began after a long day working. From the numbers coming in on solar activity, and an admin on a Facebook group far more versed in crunching the data, it looked like Friday night/Saturday morning would offer very good chances for spotting the Lights. Happily, the clouds and cold of recent days had departed and it looked ideal for trying one’s luck.
With that, I set out around midnight for a 2 hour drive away from the light pollution - and unfortunately increasing crowds - of the city. Several times I stopped by the side of a highway to gaze at the lights which already had made an appearance…I knew I’d made the right decision despite being on Hour 17 without sleep.

Pulling into my destination all weariness and doubt immediately fell away, as how right my choice was dazzled the sky overhead. Far from being confined low to the horizon, these lights were far brighter and covered at least half the sky. Like I said: magic!

Our sun is currently entering into an active phase of its regular cycle, so there’s a good chance these displays will return. My humble advice, if you want to witness them for yourself: approach them reverently and with respect and take the time to let it unfold. Aurora are unpredictable - they may show up early, or not until late into the night, and they may dance for hours, or minutes.
Set aside more time than you originally planned. It’s rare that we get an opportunity to sit in silence, with no demand to ‘do’ something or justify our time. Make the most of it!

The hot new activity of late winter/early spring in Manitoba (for better or worse) is aurora-spotting, thanks to an upswing in solar activity. The Northern Lights are notoriously fickle — one night they appear, the next they don’t and there’s no set time when they ‘usually’ show up. Forecasting is vague, but maybe it’s all these factors that make it so magical when it finally does appear before your eyes.

True to their name, the further north you go the more visible they become. Near the capital city down south, they are usually a glowing line on the horizon, but occasionally the output from solar flares or sunspots is high enough that shimmering bands of green and violet can appear overhead. Regardless, moving as far from city lights and its attendant light pollution will only make it easier to see, with the happy benefit of seeing just how many stars do fill the inky black night sky.
Happily, the regular cycle of our sun is tracking upwards, so the months ahead should give more opportunities to see (and photograph) them yourself.

On that note, these images were made with a DSLR and a wide angle (24mm) lens, wide open at f/1.4 and 20 seconds. Depending on your focal length, any longer than 20-25 seconds and you’ll start to have the stars ‘trail’ or blur from the rotation of the Earth. Some photographers crank up their ISO to 6400 or above in order to get much shorter exposure times, or because their lenses don’t open up past f/2.8 or higher — that’s a (somewhat) viable option now that digital sensors are so much better, but I prefer to keep my ISO as low as possible.
Also keep in mind that ‘infinity’ focus on your lens doesn’t actually focus on infinity! Simply turning your lens all the way to the infinity setting will result in blurry stars. If you have Live View on your camera, turn it on, zoom in on a bright star and manually focus your lens until it’s sharp, then leave your focus where it is and shoot away.

Good luck!

The aurora borealis dances in the sky above the eastern shore of Lake Winnipeg.

The red flashlight from a head lamp of fellow photographer leaves a trail during a long exposure. Red lights are used for night photography because they don’t ruin the photographer’s night vision.

A few aurora spotters watch silently beneath the lights, with the lights of nearby small towns and farms on the horizon.

I had thought the aurora had died down for the night, and was driving home when one look through my rear-view mirror showed they had flared back up again. Did I mention the Northern Lights are fickle and unpredictable?

Star trails made using the StarStax app (see previous blog post for details on the app).

As the world turns

I’ve never tried my hand at astrophotography, but recently I learned of a traditional Thai “spirit house” in rural Manitoba. This phenomenon is commonplace almost everywhere in Thailand, a devoutly Buddhist nation with a prior history of animism and spirit worship - but understandably rare in Manitoba.
Once I saw it for myself, though, I knew almost immediately that its juxtaposition with a faraway land and culture would best be expressed by a show of the Northern Lights with it. While the aurora did not make an appearance - yet - I did have a crystal-clear sky to work with and a perfect vantage point centering on Polaris, which would offer a focal point for my image.

Adding to the excitement was the fact Manitoba is currently in the grips of a brutal cold snap, and my set-up was done in temperatures of -40 degrees Celsius. It’s nothing proper clothing and preparation can’t handle, but it definitely made working slower and more challenging. As did hearing a pack of coyotes howling in the woods surrounding the site - something the resident sled dogs responded to in kind!

I’m happy with how the shot turned out - while I would have preferred a show of the Aurora I was lucky that a ‘radial’ type display of star trails could still be had with this unique cultural marker. On the technical side, I used a free program called Star StaX and combined 60 separate photographs (looking basically like the second shot here) to make the final lead image. I’d recommend this program, it’s easy and basically self-explanatory to use, does not downsize or reduce your final image, and did I mention it’s free? The third image gives a view of the app’s homepage; be sure to select the download that corresponds to your Mac’s current operating software.

The sun-dog days of winter

The sight of sun-dogs — parhelion for the meteorologists in the crowd — is a hallmark of bitterly cold days here. Caused most commonly by ice crystals suspended in clouds or floating freely in the air, these crystals act as prisms, bending light into a spectacular display in the sky when the conditions are right.

Wikipedia was kind enough to mention that sun-dogs can exist on other planets, too:

Mars might have sun dogs formed by both water-ice and CO2-ice. On the gas giant planets—Jupiter, Saturn, Uranus, and Neptune—other crystals form clouds of ammonia, methane, and other substances that can produce halos with four or more sun dogs.[8]

My work more commonly involves portraits, street photography and people in general — that obviously is on hiatus now with the lockdowns imposed by our provincial governments in grappling with the pandemic. But that leaves an opening to pursue different subjects and different pursuits with a camera, in my case the landscapes and places around our city. As long as you’re dressed for it, there’s a lot of beauty to be seen!

The Golden Boy

It’s not unusual for it to be bitterly cold in December in Winnipeg, but Christmas Day brought a very mild evening and that is unusual. Seeing a faint moon, I took a hunch and wondered if it would rise behind the topper to our Legislative Building, the one and only Golden Boy.
Despite forgetting my glasses and gloves in my rush to beat the sunset, I managed to get a few images of the slender border between day and dusk. For those who are able, the time just after sunset is really magical right now with the light display at the Legislative Building grounds and I highly recommend it.

Light Into Dark At Portage & Main

There are always impressive light displays on various homes this time of year - it’s a great way to overcome the much shorter daylight hours and put a bit of cheer into the cold of December - but it would be hard to top the show on this weekend at Winnipeg’s famed Portage & Main intersection.

The Fairmont Winnipeg hotel transformed its frontage into a multi-story Christmas tree - a photographer’s delight not only for the scale but also a welcome mild weekend left temperatures high enough to work comfortably with some night photography to capture it.

Also present nearby was a message of hope, literally, spelled out for all to see atop a downtown condo. I’ve actually seen this on a few other residential decorations too this week.

It’s been a rough year for many of us but it’s a lot of individual efforts like this that will, I think, turn things in a positive way for the most people.

PIVOT to a carbon-free economy

Recently I had a profound experience photographing Tabitha Langel, the lady who started Tall Grass Prairie Bakery for the National Film Board.
The NFB is working on a project called PIVOT, in partnership with McGill University to tell the stories of entrepreneurs who are pivoting to a zero-carbon economy. Not only did I get to see the efforts made by my favourite neighbourhood bakery - electric delivery car, locally sourced grains for their own mill, and more - but I benefitted from time generously given by a philosophical, spiritual person. There is just an undeniable aura of goodness around Tabitha.
As we sat together, making photographs, we talked and she shared with me that she has been near the Assiniboine River (seen behind her in the leading picture here) since she was 11 years old. It was the kind of conversation that happen in the best portrait sessions.
As a saying posted in the bakery says, “bread is never heavy on a long journey.”