An Easter rebirth

This has been posted here before, but several years ago I started a project about faith rituals - I was just interested in how across all different kinds of cultures, religions, time periods and geographic areas people somehow felt the need to perform various rituals and actions as an expression of faith.
I photographed more variety than I thought possible in a mid-sized Canadian city, but the past year or so it’s been dormant.

Fittingly, in the season of Easter a rebirth of sorts occurred with 2 events connected to the Christian holiday. The festival of Salubong, a procession of religious statues held by the local Filipino community, was held on Easter Sunday morning and the 35th annual Way of the Cross procession was held by the local Catholic archdiocese on the morning of Good Friday.
Salubong was especially gratifying to photograph, as it was the first ritual I photographed in 2018 when I first conceived of this project.

From now, I hope to continue where I left off with this project and pursue other rituals in a variety of faiths. I’m as interested in the regular commonly held ritual - aspects of the everyday like a Christian baptism or candles in a Hindu puja or prayers in a Jewish or Muslim service - as I am in special events or rarer holidays.
If you have a suggestion for this project, please use the Contact form on my website to send me an email, or message me via my Instagram account if you prefer.

A congregant at St. Edwards the Confessor Catholic Church takes part in a procession early Sunday morning as part of the church’s Salubong event.

The sunrise shines over the cross marched on a procession in the 35th annual Way of the Cross Event, Friday morning at the University of Manitoba campus.

Hundreds of people walk quietly in the Way of the Cross event, on Good Friday morning, the only sound moving over the crowd a repeated prayer chant.

The cool twilight of the early Easter morning is punctuated by the warmth of a candle held by an adult chaperoning a children's choir in the city’s North End during the Salubong event.

Canada geese waddle away from a procession of hundreds quietly marching behind a wooden cross on Good Friday.

One of the stations of the cross marks a pause in the 35th annual Way of the Cross, Good Friday morning.

A children’s choir ascends the steps of St. Edwards the Confessor church on Easter Sunday morning.

Salubong event, Easter Sunday morning.

Salubong procession, Easter Sunday morning.

In the studio with Duo526

Recently, the musicians behind Duo526 contacted me for updated photographs for their increasingly-busy professional schedule. I had first known the violin half of the duo from photographing Kerry DuWors in Brandon, MB in her work as a dynamic professor at the respected School of Music .

She and pianist collaborator Futaba Niekawa really stand out to me (despite me being completely without any musical background) because their spirit and passion is so obvious — it’s a mindset that’s taken them and their exploration of music literally around the world, along with a strong emphasis on education and mentoring to students. Beyond the huge talent that’s plain to see, they have fun!

It was certainly fun working with the duo 5 years ago for the first time, and it was even more so this month for the sequel. The handful of photos here are just one note in a great long composition from our shoot together - Kerry and Futaba, thank you!

ADDED NOTE - I would be missing a point not to mention our fantastic venue, the Walker Studio Exchange in Winnipeg’s historic Exchange District. Wide open spaces, great windows and excellent owners make it a must-see.

Rotating Back (to film)

Recently I had the chance to use a classic studio camera in a terrific studio. The Mamiya RB67 is a film camera that any commercial photographer who was working in the 70’s, 80’s or 90’s would know of. Along with the excellent lenses as in other Mamiya cameras the big advantage of this camera is the film back rotates to either landscape or portrait view — RB obviously is for Rotating Back.
This lets a photographer change quickly between views, without having to waste time moving the whole camera around either in hand or on a tripod. And it makes a difference practically, especially when photographing portraits.

I don’t like to get bogged down in gear talk, though — to me cameras are tools to make an image, not to fetishize/collect/pontificate over, and the image is what drives (or should drive) photography. In terms of the mechanics, these images were made to test out this camera, its lenses and how it works with in-studio lighting; I’m a big fan of photographing with film (when time allows) and for those who think like I do on that topic, these images were made with Ilford Photo’s wonderful (and underrated, in my opinion) Kentmere Pan 100 medium-format black-and-white film.

Photographer Andrew Sikorsky — find his work at: https://andrewsikorsky.com

Potter and artist Christina Sikorsky

Portrait of Samantha. This was an impromptu photo, but often times those can yield the best results - spontaneous reactions and unplanned efforts can help us avoid ‘getting in our own way’, creatively.

Artist Thor Aikenhead.

A Day On The Ocean

“A bad day fishing is better than a great day at work” Maybe so, but a day on the water in Newfoundland with friends beats it all.

This week I was on the waters near Conception Bay South thanks to the generosity of friends in Newfoundland to try my hand with a reel and fish for cod. For someone who didn’t see the ocean until well past his teen years and has never actually fished before, I fully expected and accepted to be an object of amusement (OK, pity) but let the record show that I caught the biggest one that day! Not bad for a flatlander.

The cod fishery is just one of the many aspects of Newfoundland that make it a place truly its own, like nowhere else in Canada. It has a long fascinating history with some dramatic modern history and, much like wheat in my birthplace Saskatchewan, has shaped the culture there for many, many many generations.

I’ll happily state I love Newfoundland and it’s the people that make me so quick to say it. Yes, the landscape is spectacular and the ocean is powerful and compelling - but culture, history and art is made by people. So, to the people who have so generously helped this come-from-away build this respect and admiration - thank you.

Want to feel small? Just head out on the Atlantic Ocean!

Captain Gerry lets out line on a wooden reel on the back of his 20-metre boat “Salt Water Joy”

Gerry takes a seat at the interior controls of his boat. The life aquatic clearly agrees with him, as he has a steady hand and a ready supply of jokes even into his 80’s sailing the waters of Conception Bay South.

Joe Chase lets out some line while on the hunt for some dinner in Conception Bay South.

Gerry puts his feet up on the trip out to cod fishing waters aboard his boat, “Salt Water Joy” The gentle and soft spoken captain has sailed the waters here for decades.

Ken and Lori Ann cast their lines - rod and reel - into Conception Bay South waters.

What’s it’s all about: a cod fish has the line cut from its mouth after a prairie photographer caught it.

Seagulls careen and crash in the waters, eager to get any fish parts cast off from fishermen.

A Couple Photos

I always get a little nervous before even the simplest portrait shoots. Most times, it’s just my mind shifting gears and focusing on the work ahead - ejecting all the extraneous thoughts and daily blah blah blah and leaving (hopefully) only the person(s) and the photography.

But on a few rare occasions, the slight buzz comes from photographing another photographer. Is there a photographer that doesn’t find that at least a little intimidating? After all, they’re privy to what we think, how we work and they’re uniquely qualified to assess what we’ve done.

This was the case recently when I photographed Dwayne Larson and his fiancé April, in advance of their wedding (which they paid me the honour of photographing). Dwayne and I have worked in Winnipeg and known each other for years and although we’re different in style — he’s cool and I’m not, let’s not mince words — we both have devoted our lives to photography. What an honour to have him specifically choose me, and my style of working, to make images of this very particular moment in the life and he and his life partner.

Meeting up at the unsung gem Langside Grocery all my nerves were quickly put to rest. Here were two people who made others feel as comfortable as they clearly did in their own skin. Best of all for this photographer, here were two people who are so obviously at ease and great around each other. Great subjects, great location, great light — it was the kind of portrait session I always hope to have!

<<Technical Notes>> My remote trigger stopped working almost immediately upon arrival, so on the fly I was switched to ‘available light’ mode. Thankfully, the late afternoon sun was perfect in Langside Grocery (did I mention how fantastic that location is..?) and so the shoot went on. I used the magical (no other word for it) Canon EF 85mm f/1.2 on my 5D Mark IV, with a few EF 50mm f/1.2 images thrown in when the moment was right.

For more samples of how I photograph people, take a look at my People section on this website.

The front counter at the wonderful Langside Grocery, avec April and Dwayne.

National Strike

Last week, the Public Service Alliance of Canada - the union that represents federal employees across a wide variety of services - called a national strike to press negotiations that have stalled for 2 years with the federal government. With approximately 155,000 people on strike across the country this is one of the largest labour actions in Canadian history.

I’m one of those people, joining my co-workers and many other colleagues in the federal service in walking a picket line. It’s been quite an adjustment, as for several decades I’ve photographed all kinds of strikes and labour actions but now I’m experiencing it all first-hand.

I still have a camera, however — it’s a welcome bit of familiarity and mental focus during this uncertain time. No matter what I do or where, I will always be a photographer. It’s a way to live life and make sense of all that one experiences, and this week is no exception.

Placard signs carried by striking workers await their next carrier at a downtown Winnipeg picket line.

Strings attached to placard signs are seen with a badge at a downtown Winnipeg strike location.

He Ho! Let's go (Voyageur Bop)

I’m not a fan of winter - anything you can’t drive a motorcycle in just doesn’t seem like fun to me. But the one event that can sway me (other than aurora borealis) is western Canada’s biggest winter festival, the wonderful Festivalé du Voyageur.

I had the good luck to photograph this year’s festival for online news outlet ChrisD.ca — my first time at the event since 2020. Go figure, the past few years have been eventful…

My favourite way of working - just wandering, packing just a few lenses - seems to produce my favourite kinds of photographs: small decisive moments that showcase people and light. Did I mention the light? As a festival devoted to the fur trade period of c.1815, the historical re-enactments in Fort Gibraltar have period lighting, namely lantern or window. I absolutely love it.
And you will too. I highly recommend checking out the FDV in the week it has remaining! The website linked has a full schedule.

Louis Gagne twirls a carefully groomed moustache in his role as a French Canadian fur trader at Fort Gibraltar, circa 1815.

Historical re-enactors portraying soldiers hired by Lord Selkirk fire muskets during a demonstration at Whittier Park.

Dancers with the Spirit Sands Singers await the start of a powwow, helping expand the understanding of First Nations presence during the early 19th century fur trade in Manitoba.

Participants in the international snow sculpture contest help their creation take shape near the gates of Fort Gibraltar, in Winnipeg’s Whittier Park.

The currency of the early 1800’s in western Canada - furs, on display in one of the historical re-enactment displays at Festivalé du Voyageur.

Cold air and hot tea, at a display in Fort Gibraltar.

Volunteer blacksmiths work on actual iron items exactly like those needed in everyday life at Fort Gibraltar in 1815.

Winnipeg trio Sweet Alibi performs at the 2023 Festivalé du Voyageur, joining local artists providing sounds from EDM to fiddle and jig to rock.

John Kosse lights up the first night of the 2023 Festivalé du Voyageur. Kosse was one of a group of representatives from the St. Paul Minnesota winter festival attending Winnipeg’s event.

The JD Edwards Band opens the 2023 Festivalé du Voyageur.

Friends, fire, festivalé.

A perennial festival favourite is maple taffy - just add snow and roll.

Initially an accident with leaving my camera on a different setting, I really liked the impressionist effect this had, to give a mood or feeling to this timeless scene. The irony is if I deliberately set out to make a photo like this, I probably wouldn’t do as well as this one!

The Weekend (not affiliated with the music industry)

Assorted images from a quiet weekend that still, somehow, had a lot to photograph.

Onlookers view a light display painted across an Exchange District building Saturday night during the first instalment of the Lights On The Exchange public art event.

Light streams from the front of a heritage building east of Main Street, Saturday night during the Lights On The Exchange event.

A Chinese lion dance troupe weaves its way around a thick crowd of people Sunday morning during Chinese New Year celebrations at Kum Koon Gardens restaurant in Winnipeg.

A little girl greets a Chinese Lion Dance troupe with a huge grin during Year of the Rabbit celebrations Sunday morning.

A woman crosses a shaft of bright winter sunlight beneath a garland of hoarfrost on Provencher Boulevard in St. Boniface.

A woman cheers after tackling a whipped cream beverage at a birthday party in an Exchange District pub, Saturday night.

Clicks for Kitties

Recently, I found an ‘advent calendar’ of black-and-white Ilford film I picked up last year. This was a fun idea the company had last year that I wish had taken off more, but still shows its commitment to film photography and willingness to embrace new ideas.

I hadn’t opened mine yet, and while wondering how to make use of it I thought helping a local charity would be a great place to start. And from that: Clicks For Kitties.

How it works: just make a minimum-$50 donation to a local animal welfare charity (I offer some great suggestions below), and you’ll get to choose one of the numbers in the ‘advent calendar’ — whatever film is uncovered, I’ll use to make a portrait of you or someone/something you choose. Provide the receipt, and I’ll donate the development and scanning of the photoshoot and provide either a scanned copy of the image or a 5x7 print (Participants will also get the whole roll returned to them, also, if they choose). And that’s it — easy!

Logistically, this will be a local offer only for now. But for anyone outside my immediate area who wants to participate, I’ll offer a, 8x10/12 print of any image from my Places or Street Photography sections of this website in exchange for a minimum $100 donation to the charities listed below or an accredited animal welfare charity in your area.

Some great local organizations who can use your help:
Craig Street Cats

Winnipeg Humane Society

Free From Farm Sanctuary

Kismet Creek Farm

…or any accredited animal welfare shelter!

Please contact me through the Contact Me form on this website to take part, or for any questions you may have. Thanks!

A Walk With A Camera

One of the most enduring types of photography that’s been part of my life has been street photography. I prefer to think of it as ‘everyday life photography’, but ‘street’ is the most commonly known term for it.
I sometimes (only half-jokingly) call it ‘the least possible lucrative form of photography’ but maybe that’s part of the appeal - it doesn’t have to be bent or altered to do anything but what I feel about what I see, as I see it.

For me, it’s just pure reaction, in the moment, without any preconception. It draws on everything that’s happened in the past, but is also completely in the present moment. Going for a walk is always a great way to relax, but combine it with the keen observation that happens when you have a camera, and now you’re a flaneur. Finally, at the risk of reading too much into a simple walk with a camera, it’s a way for me to build empathy and understanding of others — I do think it’s only by being face-to-face and interacting with others (and no, via a phone does NOT count) that can hope to start appreciating them.

It’s with this background that I offer up a collection of street/everyday life photos from my own neighbourhood, a small selection from years of walking with a camera close to home. Wolseley is one of many interesting areas of this city, and of all the things many people will say about it, one undeniable fact is it’s one of the most walkable and varied neighbourhoods of them all. In other words, perfect for any street photographer.

I would be remiss if I didn’t say here that one of my main influences in everyday life photography, living one’s life with a camera and finding a sense of place through photography is a well-known figure in photography in this city and this country, John Paskievich. From almost inventing multimedia back in 1982 with his landmark short film “Ted Baryluk’s Grocery” to his excellent photobooks “The North End” and “The North End Revisited”, John has been an inspiration to a lot of photographers. I highly recommend either of his photobooks, by University of Manitoba Press.

For the camera nerds, all images were taken with a Leica M6, 35mm Leitz lens and mainly Kodak TMax 400 film.

Fire and Art Light the Night

This year’s Nuit Blanche event in Winnipeg was a feast for the eyes and mind. And if you’re a person who uses a camera to bring eye and mind together, well…it was a must-see.
Weather in this part of the world is always hit or miss when one season changes to another, but the first such event since the start of the pandemic was blessed with perfect weather and although it’s totally unscientific and just my observation, easily the biggest crowds in many years. Maybe ever.

Following are a few images from just a few spots on a fantastic Saturday night, including a funky disco event by the Peg City Rollers and the lead image of Mateo Lopez who along with the Free Spirit Fire group really lit up the night. Fantastic!

Mateo Lopez spins a web of fire around himself during a performance with Free Spirit Fire group, during the 2022 Nuit Blanche Winnipeg event.

Genie, with the Peg City Rollers rollerskating group, wraps herself in light while spinning to the music during the group’s Nuit Blanche 2022 event.

A dancer with Free Spirit Fire performs for the crowds during Nuit Blanche 2022 in Winnipeg’s Exchange District.

‘Fire Cycle’ by local artist Jonathan S. Green was the epicentre of Nuit Blanche 2022, providing a central event for the entire festival that people could rally to.

A member of the Peg City Roller wheels around a makeshift disco arena during the group’s exhibit for Nuit Blanche 2022.

A spire to faith and commitment

In Buddhist cultures, a ‘stupa’ is a focus of meditation, a structure that houses sacred objects. They’re a fairly common sight in Asia — in western Canada, not so much.
That’s why it was so gratifying to photograph the dedication of such a place this spring, as the local Sri Lankan Buddhist community came together to unveil the spire topping their very own stupa here in Winnipeg.

The ceremony marked many years of work by the ‘sangha’ -the community of monks, nuns and lay people - at the Mahamnevnawa Buddhist Meditation Centre who organized and built the structure themselves. Having also photographed the ceremony last fall when monks placed sacred objects inside the stupa, it was great to see how far the work has come to arrive at this point.

The weeks and months ahead will see finishing touches put on the site, but the structure itself now stands as a beacon of Buddhist faith, and a place for both the Sri Lankan community and the wider interested population to come to contemplate and be inspired.

A Night at the Opera

For the past several years, I’ve been proud to contribute photography for Manitoba Opera. Apart from just loving beauty and beautiful things, I’ve really come to appreciate how opera is basically storytelling — just like photography, just like books or Hollywood movies or even Instagram reels. Having relatively free reign gives me access to the people who work so hard to bring the show together, as well as the (pretty amazing) singers who make these stories come alive.
Like most arts groups, the Opera has had to grapple with the Covid-19 situation but happily the first major effort in a long time came together last night with the Gala Concert.
You could feel how happy people were to be able to have a night out again, and see these performers again on the Centennial Concert Hall stage. And the Symphony clearly didn’t get out of practice, either, with beautiful music carrying the audience throughout the whole event.

I’d urge anyone to check out the Opera and take in their next show. It’s a total treat to dress up, be seated in the hall, have the lights dim and the music flow out into that huge space all around you. You’d be surprised how easy it is to ‘get’ the stories behind each opera, once you learn about the production (which the Opera makes very easy both online and in the programs at each show).

Lizzy Hoyt sings with the Winnipeg Symphony Orchestra, and conductor Tyrone Paterson, behind her during the Manitoba Opera Gala Concert, Saturday evening April 2, 2022 at the Centennial Concert Hall.

Mezzo-soprano Catherine Daniel beams at the audience for Manitoba Opera’s Gala Concert.

The Centennial Concert hall, home of Manitoba Opera and its Gala Concert. The evening began with the Ukrainian and Canadian national anthems.

All five singers, backed by principal conductor Tyrone Paterson, are applauded by the audience near the end of Manitoba Opera’s Gala Concert.

Soprano Lara Ciekiewicz (left) and mezzo-soprano Catherine Daniel are applauded after a duet in the Manitoba Opera Gala Concert.

Until the autumn….

Prayers

For the past several years, I’ve been pursuing a personal project on faith and rituals - producing images of the various things different peoples do to show their faith.
One of the first places I went to was St. Vladimir’s and Olga Ukrainian Catholic Cathedral in the city’s North End. I was warmly welcomed and the priest was encouraging and open to my project. It was an invaluable confidence builder and paved the way for any subsequent work I did.

It was this familiarity that I took into returning to the beautiful landmark cathedral this weekend, as prayers were given new urgency with the war continuing in the Ukrainian homeland. I wanted to continue my work documenting faith but also see the faith being offered to those suffering from the current conflict.

By coincidence, a rally for Ukraine at the provincial Legislature was also taking place later that day, a chance for prayers of a different sort at a different landmark building — a ritual of faith to strengthen a common bond.

For those wishing to help, St. Vladimir’s and Olga Cathedral is accepting donations for Ukrainian citizens suffering under war. And of course, the Canadian Red Cross is also a trustworthy, effective organization to help those in need.

Kosmii and Mykhaila Liuba offer silent prayers at St. Vladimir’s and Olga Ukrainian Catholic Cathedral during Sunday mass.

Angels symbolizing peace adorn the altar as a congregant lights candles at St. Vladimir’s and Olga Ukrainian Catholic Cathedral during Sunday mass.

A rally at the Manitoba Legislature Sunday afternoon drew members and supporters of the city’s Ukrainian community.

Free Ukraine

As the world knows by now, months and years of rumbling has broken into full-out war in the Ukraine. Every day, the infrastructure of instant communications has brought a tsunami of powerful stories and images direct from the front lines, which like most wars now seem to be everywhere.
Canada has the highest amount of Ukrainian people living anywhere outside that country or Russia, and that community’s history runs very deep in Winnipeg, home of the fabled North End and adopted home to generations of Ukrainians. It is perhaps because of this that a rally held yesterday to offer support drew so many people and evoked such emotion.
I knew I had to bring a camera to this event, and with the privilege of not having a deadline (or, more to the point, an outlet) for my images I decided to use a few film cameras, in the hopes of bringing a different mindset to bear and overriding my ingrained newspaper-photography pattern.

A reminder to anyone wanting to help the civilians in this unfolding catastrophe, donations to the Red Cross will be matched by the Canadian government — a great way to make your money go farther!

Susan Boulter tears up while listening to the Ukrainian anthem, during a rally in Winnipeg, Canada Saturday February 26, 2022. Boulter has family in western Ukraine struggling to escape the country during a Russian invasion.

Shining a light

For the past several years (a global pandemic, notwithstanding) I’ve been pursuing a personal project on “faith and rituals”.
I’m not entirely certain what form this project will take in future, and I’m not sure how I’ll make it more focused and specific (I know I need to do that), but a photographer friend once told me with photo essays it’s often best to just start out making pictures you like and let the direction come after some work has been done.

The wisdom of this has started to really be clear to me lately, specifically with two recent events from two different faith communities sharing a common theme.
At the beginning of November I made my way to a small North End temple for the Hindu festival of Diwali. Despite feeling very conspicuous with both my cameras and my obvious non-Hindu status, the people were warm and welcoming and I discreetly observed and (occasionally) made an image.
A month later, the city’s Jewish community gave me an equally welcoming reception for the 8-day festival of Hanukkah. Both the Etz Chayim and the Chabad-Lubavitch were kind enough to answer my questions and support my project efforts and, as with all the faith communities I’ve visited for this work, I was reminded how rich and varied our city actually is — there’s a lot going on beyond our habitual day-to-day surroundings and I’m blessed to have photography allow me to witness that first-hand.

I was also struck by the similarities in different religions and how common visual elements keep coming up, as I photograph more and more for this work. In the case of these two festivals, the element is light — both events are festivals of light, as a symbol of transcendence and expressed in literal form.
Happily, photography is all about light and so it felt fitting to show both of these festivals and what they have in common. L’Chaim and Namaste!

Diwali

Second night of Hanukkah

Diwali

Seventh night of Hanukkah

Diwali

Seventh night of Hanukkah

Diwali

Casual Fridays

Winnipeg has always been known for a thriving music and arts scene, but it’s only very recently that we’ve been able to start returning to that again. The pandemic, and most people and businesses adhering to lockdowns and other measures to prevent the spread of it, had put a night out on ice for well over a year.

Happily, high vaccination rates and businesses having a credible process to screen at the door have created a bit of a springtime in late autumn for live music.

It was this that allowed me to photograph a live performance this weekend by the newest jazz group in the city, the Jazz Casuals. It was a terrific way to end off a very long week, and the fine offerings by the venue, Little Brown Jug, was also very welcome.

Walking into the venue, I was greeted by a terrific space but a terrific space in near-total darkness. Certainly great for ambience, but not so great for photography! It was then that I was reminded of the difference between photographers who know lighting and those that don’t. One gets useable pictures, the other walks away with excuses.

I spent a lot of years in newspapers, and had the mantra of ‘available light’ drummed into me for literally decades.
However, if you believe photography is about telling stories, I’m afraid you can’t tell very many when you’re literally in the dark.

We live in a pretty amazing time for technology in making photographs, and one of my favourite is the advantages in lighting now. I’ve been a very satisfied user of Godox flashes for a few years now, both for reliability and how quick and easy it is to use their lights. Having something quick, easy and reliable makes it so much easier to just focus on creativity and that’s certainly been the case for me, whether in a dark jazz club or a bright outdoor location.

Setting up 2 small lights unobtrusively allowed me to create a mood and a feeling that fit the story, and not interfere with the musicians working or the audience enjoying the show. And, I didn’t have to make excuses — win/win/win!

Follow the Jazz Casuals on Instagram for news of upcoming shows.

Walking The Path at the 'Heart of the Continent'

The final day of September this year marked the first National Day for Truth and Reconciliation, a new federal statutory holiday to honour children who died while attending residential schools in Canada, along with the survivors, families and communities still feeling the reverberations of that long-running system.

Here in Winnipeg, several events were held for citizens including a powwow, sacred fires and several rallies and marches.

I had the good fortune to photograph the main march, which began at the Canadian Museum for Human Rights and ended at St. John’s Park. From start to end, there was a positivity in the air (even given the many hard and solemn stories to be told) and a real sense of solidarity. There was no mistake about why all were there and who they were there for.
It was also an ideal chance to meet someone or talk to someone you might not normally get the opportunity to. And a simple conversation is a terrific way to learn more.

I’ve always found photography is my ideal way to learn and connect with the world. For this, I was fortunate to experience this first annual event with my cameras. I sense a real shift in public attitudes and awareness, and I feel safe in saying the country is changing permanently from this process.

On a related note: if you or someone you know see yourself in my images, please reach out — I’d be happy to share them with you as a way of saying thanks. I asked each person portrayed here if I could photograph them, but in the rush of the event I didn’t get any contact information, as I normally do in case someone wants a copy of my work for themselves.

People attending a march in the inaugural Truth and Reconciliation Day stream through Winnipeg’s iconic Portage and Main intersection, Thursday afternoon.

People gathered for a march in the first Truth and Reconciliation Day in Winnipeg leave the city’s Human Rights Museum to the city’s downtown. Some held pictures of relatives or loved ones who attended Indian residential schools.

Riley Brown, an Oji-Cree woman from Manitou Rapids First Nation, wears a shawl adorned with handprints of her classmates at Urban Circle Training Centre. She told CBC News she was dancing in the march for missing and murdered indigenous women and girls, residential school survivors and those who did not survive their time in the schools.

An elder smiles as she awaits the start of a march for this country’s inaugural Truth and Reconciliation Day, Thursday morning at the Canadian Museum for Human Rights.

Thousands of people gathered at the Forks in the centre of the city for the start of a march, as part of Canada’s national Truth and Reconciliation Day. An orange shirt is a symbol of the issue of residential school survivors.

‘Every Child Matters’ is a slogan that has grown out of the increasing national awareness of the issue of residential schools in Canada.

Thousands of people await the start of a march while taking part in national Truth and Reconciliation Day events in Winnipeg, Thursday morning. They almost universally wore orange, making a striking sight as they walked together through the city.

A group of drummers make their way along North Main Street among thousands of others, on their way to a powwow at St. John’s Park, one of the original parks in the city and long a gathering place for First Nations and European people.

A participant in Thursday’s rally spreads her spirit to people sitting in front of the Main Street Project in Winnipeg.

A woman watching a procession for the first Truth and Reconciliation Day raises her arms as thousands of people walk past on North Main Street.

North Main Street, first National Day of Truth and Reconciliation, Winnipeg Manitoba.

The grand entry to a powwow held in St. John’s Park makes its way past a capacity crowd gathered for festivities at the first National Day of Truth and Reconciliation in Winnipeg.

Young dancers join a long line of people of all kinds for the grand entry to a powwow held at the end of a march for Truth and Reconciliation Day in Winnipeg.

This year has seen a lot of opportunities to look up and find a picture, or just a sense of wonder (usually both, for me). Whether it’s been the Aurora Borealis or meteor showers or spectacular sundogs there are so many opportunities in 2021, and I’ve probably photographed the sky more in the past 6 months than I have in the past 6 years.

Part of that is from the pandemic erasing many of the people-centred photography I was doing previously. A lot of it is freeing up more time to be able to wander and wonder and focus on the natural environment.

I’ve seen a lot of Milky Way photographs this year, and it fired up the desire to do it again myself. The one and only time I’d photographed our galaxy was a few years ago during an epic night at a dark sky preserve, in Cape St. Mary bird sanctuary in Newfoundland. This weekend, a night with a new moon (preventing any light pollution from obscuring faint stars), a clear cloudless night and no work commitments the next day meant the time was right to try again!

A quick online search for dark sky areas in Manitoba turned up Spruce Woods Provincial Park. I knew of this park for its near-desert conditions and sand dunes, but wasn’t aware of its status among sky-watchers. Despite the 2-hour drive (each way) all doubts were erased the second I got out of my car and looked up. The star-scape was absolutely breath-taking! There really is no substitute for a complete lack of light pollution — the best camera, lenses or software won’t make up for the night sky being obscured.

This really is the most vital step — finding as dark a sky as possible. This can be as simple as a quick Google search, but don’t think that a quick half-hour drive away from a city will do it — if you’re photographing infinity a few kilometres won’t change a thing. Prep yourself for a few hours drive, and keep in mind that light pollution can also come from the sun. Depending on the time of the year, ‘true’ night won’t come until well after sundown and well before sunrise. (Right about now, true night comes after midnight until about 3 a.m., with the pictures you see here being taken from 1-2 a.m.)

A wide angle lens to cover a great expanse of sky is a must, but equally important is how much light it can gather. An aperture of f/1.4 or f/2 is ideal and help prevent the need to crank up your ISO to noisy extremes.
Don’t forget the flipside to your aperture: your shutter speed. A wider aperture allows a ‘faster’ shutter speed. Anything longer than about 25 seconds will introduce ‘trailing’ to the stars, from the earth’s rotation. So, try keep your time to about 20 seconds maximum.

If you’re curious to try your hand at photographing our galaxy, a little time spent researching ahead of time will save you a lot longer time dealing with potentially serious problems in the field later. Find a dark sky area and prepare yourself for working there in total darkness! Things like bug spray, a flashlight (having a red filter or red light will help you see but not ruin your night vision) and measures to stay safe among wildlife, if applicable (for example, keeping safe among black bear populations is a common issue in Manitoba parks) will go a long way to having a positive experience.

Good luck! Look up in wonder!

The Milky Way rises in the south sky above Marsh Lake, in Manitoba’s Spruce Woods Provincial Park. Adding a foreground element can add visual interest to your composition, and a very valuable sense of perspective.

A horizontal composition - and let’s be honest, a lot of luck in timing - allowed me to include some of the many fireflies blinking in the air around me during this photo session. A long 20-second exposure recorded them as the green wavy lines to the right.

I turned my camera away from the south, where the Milky Way was, towards the east where the earthly elements made a pleasing (to my eye) composition. I liked seeing the vast fields of stars and the different mood this represented. There is almost no enhancement to the colour balance on this and all shots presented here.

This slightly-surreal scene is an example of thinking and acting quickly to the unexpected during a photo shoot. Despite the late hour (2 a.m.) the occasional car drove past on a nearby road, and I noticed that when they did, their headlights lit up a few trees along this marshy lake. When I heard another car approach far off in the distance, I knew this lighting would repeat itself — sure enough, once I set my camera to this view the trees slowly lit up with a ghostly light and my timing ensured the actual car and headlights hadn’t intruded onto the scene yet. The result was an ambiguous scene with a vague sense of mystery — a picture of a mood or a feeling more than what was actually there.

A Very Different Canada Day

Back when photographing for a daily newspaper, Canada Day was usually pretty straightforward: lots of Maple Leaf flags, maybe some citizenship ceremonies and one of the few chances to photograph a fireworks show.

This year, though, a long pandemic and record-setting heat-waves gave way to the horrific confirmation of something long whispered but never really faced up to in Canada — the deaths of hundreds, maybe thousands of children in church and government run residential schools for First Nations children.

It has completely overshadowed any thought of observing the day, and hopefully it can be more an occasion of thoughtful introspection.

I thought I would take this thought in mind as I went to see a few places for myself today. Not with any preconceived ideas but just to see for myself and leave my thoughts open, as they can only be from a good long walk.
I went to the Forks, a place where rivers have met for millennia and people have also met for almost as long. And I ended the day seeing for myself the provincial Legislature, where a statue of Queen Victoria was toppled by a crowd at the end of a march to mark the coming to light this year of what most First Nations have known for a long time.

Lawrence Cormiere pauses on his walk to Portage and Main in Winnipeg to take part in a rally about hundreds of graves found at sites of former residential schools. Cormiere said he too attended one of the schools as a youth.

A statue of Queen Victoria lies on the ground at the Manitoba Legislature, Thursday evening July 1, 2021.

Flags representing young children who suffered and perished at residential schools in Canada dot the front lawn of the Manitoba Legislature, Thursday evening July 1, 2021.

A man takes a selfie atop a statue of Queen Victoria in front of the Manitoba Legislature, Thursday evening July 1, 2021.